What about funding for the arts? When stated in this way, the expense may seem unnecessary to some. After we’ve taken care of the major issues, we can then consider the vague concept of “The Arts,” whatever that may mean.
Which is one story. And in recent years, it’s gained enough traction to justify the government’s decision to put arts funding on ice.
When viewed through the lens of what “Arts funding” actually entails, its significance becomes clear. That should be renamed something like “investing in Britain’s creative industries,” in my opinion. These sectors truly excel on a global scale. They help attract sightseers. They contribute to the job market. It’s even possible for them to save people’s lives.
Money allocated to the arts also provides underprivileged children with access to musical instruments and rehearsal spaces, such as the Roundhouse in Camden’s basement, offering hope in the face of despair. What this could mean is anyone’s guess, but it could be a session with John Legend at the Royal Albert Hall.
We might benefit from putting money into “The arts” if we do so.
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It’s possible that we have to. They have a very uncertain future ahead of them. There is a chance that the energy crisis will put an end to the work that Covid began. It’s not uncommon for a location to be the last of its kind after it has finally given up the ghost. Creating a new one is a difficult process.
I’ve been keeping an eye on the health of the Royal Albert Hall, the Roundhouse, and the many other smaller venues that help aspiring musicians hone their skills before they break through to the mainstream. The situation at these establishments, which were forced into hibernation during the pandemic, is once again precarious, and it only worsens the further down the food chain you go.
For instance, “dark” nights, when there is no show scheduled, have occurred at the Hall.
Obviously, things didn’t immediately improve after Covid. According to CEO Craig Hassall, the venue now has to decide whether it is more cost-effective to keep those nights dark due to the £2 million increase in energy costs, even after accounting for the government’s business support package, due to the energy crisis.
Annual profits of around £6 million are invested first in the building’s upkeep and then in events like the one with John Legend mentioned above. Despite everyone’s best efforts, it’s not hard to predict what will be sacrificed when money gets tight.
CEO Marcus Davey of the Roundhouse Theatre has not yet considered canceling any performances. Nonetheless, he still has some difficult decisions to make. When it comes to spending, energy used accounts for just 1%. It’s getting close to 5 o’clock now.
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Additionally, that is hardly the only expense that is increasing.
It’s impossible to plan more than six months ahead, he said. The arts, in my opinion, require funding if they are to thrive.
Are you interested in the arts? Or the exceptional creative industries that call Britain home. The amount of money already invested and subsidized in polluting offshore fossil fuels is excessive. Wouldn’t it be great if we backed the industries that create happiness a little more? And the organizations within them that do all that and more for young people?
Several of the Music Venue Trust’s members are currently receiving assistance from the trust’s crisis team, which is the sector’s representative. However, such encouragement won’t last forever. “sufficient to avert the collapse of the sector if it is fully delivered,” is how one reviewer of the business support package put it. However, what happens next?
Due to the unique difficulties that pubs face during the energy crisis and, of course, the special regard in which they are held by certain segments of the British public, the government has indicated that they will receive funding for an extended period of time beyond the initial six months (who might also be inclined to vote Conservative). Pubs and clubs share patrons and audiences. Bars serve as common gathering places. Many performers get their first chance to perform or deliver their routines at these events.
Since “pub” can refer to a wide variety of establishments, the Trust has requested definitional guidance. The group thinks “music venues and other licensed premises essential to the grassroots music ecosystem” should be included in the definition. The Trust states that it “anticipates” this to be the case. However, it has not heard back as of yet.
That people have the option to spend time together in public places is crucial. Hassall said to me, “We’ve been robbed of these cultural events. In other words, “We require them.” You can’t argue with his logic. We do. But some people living far from major cities may yet suffer a permanent loss of those possessions. The country would be a sadder and greyer place if their numbers were reduced even in places where they still exist.
The Cultural Recovery Fund administered by Covid is one of the few genuine positive legacies to emerge from Boris Johnson’s premiership. If the capital provided through it was to be wasted, it would be a tragedy. Avoid limiting yourself to “arts” alone. Imagine the most successful creative industries in the world. People who spread happiness.